How can you go further than using a major seventh chord to give a satisfying conclusion to your tune in a major key? Try out this really cool maj7(13,9) chord voicing: Create a Satisfying Quartal Harmony Resolution with a maj7(13,9) chord voicing This G7(b13,#9) voicing gives that quartal harmony with the F, Bb (A#), and Eb played by the right hand.Īs you are about to find out in a few moments, this awesome chord easily resolves to the next one. Take a look at this dominant 7th(b13,#9) chord voicing: Step up the tension in your jazz piano with a quartal harmony voicing. Ramp Up the Tension With a Dominant 7 th (b13,#9) Chord If you don’t know the shortcuts to instantly transpose to all 12 keys we have a 2 hour course inside our Premium Jazz Lessons Elite Membership that will take you step by step through the process. Practice this chord voicing in all 12 keys.

You can use this lush minor 7th(11) chord voicing in many songs to add a kind of cool airiness to your music. In the A section of the song, Bill Evans plays this chord progression of minor 7th(11) chords: This iconic Miles Davis piece “So What” exploits quartal harmony to create an open-sounding atmosphere. Use This Bill Evans m7(11) Voicing to Get the “So What?” Sound Up next, you are going to learn 9 ways how you can use quartal harmony in your own playing: 1.

Isn’t it amazing that quartal harmony still sounds so fresh and modern? With notable jazz and classical influences, Emerson, Lake and Palmer’s masterpiece, “Tarkus” has its signature riff based on 4ths and is filled with quartal chords played on the piano and Hammond organ: The coolness factor of quartal harmony even extends to genres other than jazz. “Classical” composers such as Claude Debussy and Arnold Schoenberg have used them in their compositions. Quartal harmony sounds really cool, right? Guess what! These fourths sound so hip that they’ve been used for some time now. His composition called “Passion Dance” is a very good example of quartal harmony usage in jazz: One of the most legendary jazz pianists closely identified with the use of quartal harmony is McCoy Tyner. Add more on top or below and you get really open-sounding chords. If you stack another fourth (Bb) on top of the C and F, you get a typical quartal harmony voicing. For example, playing C and F together produces a sound that characterizes quartal harmony. At the very least, it involves two notes separated by fourths.

Quartal harmony involves the use of a series of fourths in a sequence.

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